The Stars of the Show

Here are thumbnail descriptions of the "Musical Mystery" main characters.

 

Johnny

Giovanni Albert Triano is known as Johnny A-Train to his fans, maybe you've got one of his CDs? Johnny graduated from Julliard's School of Music, with an eye on teaching, but instead took to the big band scene in New Orleans, just trying to make a splash.
His whole life is based around looking, talking, and dressing like Bogart, Cagney, and Mitchum did in the old black and whites. He shops the repeat performance joints for his duds, and only buys the authentic stuff that was tailored in the 30's and 40's. That includes his on-stage duds as well. When performing, he wears original, recycled, Zoot Suits. Easy to find in New Orleans, and also when he goes back home to New York City. He's billed as Johnny A-Train and The Loco-Motions, and looks a bit like Sinatra. When in character he tawks like he's from Brooklyn, New Yawk, and he's in character most of the time.

 

Delilah

The Tantalizing Delilah Jones—Female Vocalist. That’s how it reads in the promo for the band — but she’s more than that. Delilah is Johnny's lady.  Her real name is Rebecca Breen, as brilliant as she is talented, and not just beeyootiful, she’s make-you-want-to-run-away-from-home gorgeous.
Delilah has long dark-red tresses that flow down her back and reach almost to her nineteen-inch waist. And her bod, well, you remember Jessica Rabbit of Who Framed Roger Rabbit fame? You would swear they modeled Jessica after Delilah. Except, for the fact that Delilah’s action makes Jessica Rabbit look like a boy. It ain’t just Johnny that thinks so either, she drives the guys nuts on and off the stage.

 

Mason

 

Mason Saint-Clair is the band's bus driver, Johnny's guy Friday, and trusted buddy. The band lovingly refers to them using the song title, "Ebony and Ivory". Mason, "Big Mace" he's called, handles all the equipment moves, as well as logistics and security for the band. He talks N'awlins like Johnny tawks Brooklynese. Difference is, Johnny's is a put-on and Mason's ain't/isn't, what the hell. But don't let his patois fool you, he's one brilliant dude, on the street, on the computer, or on a Jiu Jitsu mat. He calls himself the Black Bill Gates of Bourbon Street. Hand him a computer and he'll prove it.

 

 

 

Rex

Rex Coulter, Esquire, is an old-family, old-school, politically connected, native New Orleanian, who bears a striking resemblance to Andrew Jackson, our seventh President. Rex is a highly regarded member of the Louisiana State Bar. He's also been Attorney of Record, all the way up to the Supreme Court on several cases, several times. And has gotten Johnny out of hot water on more than one occasion. Besides that, he's a fan of the band, a friend, Johnny's manager, and benefactor. His great grandfather bought fifty shares of Coca-Cola stock back in Nineteen-nineteen. Don't even try to guess what it's worth today. He's the money behind building Johnny's French Quarter nightclub “Steppin’ Out," named after a Fred Astaire tune from the movie Easter Parade.

 

 

Art Deco

Steppin' Out

The Steppin' Out nightclub is magnificent. Decorated in ornate, gilded, Egyptian-influence Art Deco that radiates the feel of the 1930s. The frame around the stage is a proscenium arch that could have decorated a Pharaoh's tomb, and the acoustics are amazing. A huge dance floor is perfectly suited for Johnny's type of crowd. Table seating accommodates six hundred, and the room's capacity is eight hundred. It doesn't have a stadium concerts' capacity, or that of a big Vegas showroom; but when the big names want to put on an intimate show, and have the crowd be able to dance, and feel their presence, it's the venue of choice. Fred and Ginger would have loved it.